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Storia di Piera (1983) online

Storia di Piera (1983) online
Original Title :
Storia di Piera
Genre :
Movie / Biography / Drama
Year :
1983
Directror :
Marco Ferreri
Cast :
Isabelle Huppert,Hanna Schygulla,Marcello Mastroianni
Writer :
Piera Degli Esposti,Dacia Maraini
Type :
Movie
Time :
1h 45min
Rating :
6.4/10
Storia di Piera (1983) online

This sometimes confusing erotic drama about the incestuous relationship of a mother and daughter is based on the autobiography of Italian theater actress Piera Degli Esposti though it focuses more on her mother Eugenia. Storia di Piera (1983) AKA The Story of Piera. This sometimes confusing erotic drama about the incestuous relationship of a mother and daughter is based on the autobiography of Italian theater actress Piera Degli Esposti though it focuses more on her mother Eugenia. Director: Marco Ferreri. AKA The Story of Piera.

Title: Storia di Piera (1983). This erotic drama about the incestuous relationship of a mother and daughter is based on the autobiography of Italian theater actress Piera Degli Esposti.

Also Known As: Historia de Piera,Storia di Piera. Title: Storia di Piera (The Story of Piera) (1983).

Storia di Piera (1983). Posted By: Mindsnatcher. Date: 12 Oct 2017 15:31:06. Please Note: Playback of this . 65/HEVC encoded video file in VLC media player may cause problem (like Green Screen). Storia di Piera (1983). Cast: Isabelle Huppert, Hanna Schygulla, Marcello Mastroianni Italian psychological drama, feature film, which tells about the historical period of about 20 years in the life of one is not a poor Italian family - father with his head ushedny in political affairs, an ardent Communist, and therefore everything that happens at home is of little interest

The Story of Piera - фильм 1983 года. Актёры, создатели, трейлеры, постеры, афишы, кадры и другая информация об этом фильме на кинопортале MovieBot. Storia di Piera драма. Режиссёр: Марко Феррери. Премьера в России: 02-02-1983. Время: 105 мин. Страна: Италия, Германия, Франция.

Storia Di Piera Marco Ferreri 1983. Racconto drammatico di una donna Film completo su ww. ubik. Страсти по Беатрис . 2:06:47. Hanna Schygulla em " Storia di Piera " (Estória de Piera The Story of Piera ), filme dirigido por Marco Ferreri em 1983. The Story of Piera Full Movie Online. This sometimes confusing erotic drama about the incestuous relationship of a mother and daughter is based on the autobiography. Hanna Schygulla and Isabelle Huppert Sex Scene in Storia di Piera. Incest in Films The Story of Piera (1983). This erotic drama about the incestuous relationship of a mother and daughter is based. View the official lists that include Storia di Piera.

This erotic drama about the incestuous relationship of a mother and daughter is based on the autobiography of Italian theater actress Piera Degli Esposti.
Cast overview, first billed only:
Isabelle Huppert Isabelle Huppert - Piera / Daughter
Hanna Schygulla Hanna Schygulla - Eugenia / Mother
Marcello Mastroianni Marcello Mastroianni - Lorenzo / Father
Angelo Infanti Angelo Infanti - Tito / Giasone / actor playing Jason
Tanya Lopert Tanya Lopert - Elide / Family friend
Bettina Grühn Bettina Grühn - Piera / bambina / Teen
Renato Cecchetto Renato Cecchetto
Maurizio Donadoni Maurizio Donadoni - Massimo
Aïché Nana Aïché Nana - La veggente / Midwife (as Aiché Nanà)
Girolamo Marzano Girolamo Marzano
Lidia Montanari Lidia Montanari - Centomila Lire
Laura Trotter Laura Trotter - Giovane levatrice / young midwife
Marina Zanchi Marina Zanchi
Lina Bernardi Lina Bernardi
Elisabetta Ambrosini Elisabetta Ambrosini


User reviews

Gann

Gann

The story of Piera is told from the actual moment of birth in the delivery room to the date of the film. Her mother Eugenia often seems at odds with the world, indulging in eccentric behaviour within the family and outside. Her father Lorenzo, by contrast, appears a level-headed bureaucrat with a job in the then-powerful Italian Communist Party. As his wife becomes more erratic, he loses his post and suffers a collapse that puts him in a mental hospital. Piera gives up school to work for a dressmaker and follow her dream of acting, her favourite part being the Medea of Euripides, the woman who poisoned her successor and knifed her own sons when her husband left her. Eugenia's condition deteriorates, however, and she too is confined. At the end, the unmarried star of stage and television takes her fragile mother to an empty beach for an outing together.

Parallel with the story of her abnormal family we see in sometimes very frank detail Piera's discovery of her sexuality: kissing games with local boys, her first period, a lesbian affair when she is hospitalised for asthma, and then men. There are also incestuous overtones involving both parents. For example, visiting her father in the institution, she reciprocates some sexual fondling to let him think he is still a male and not a neutered invalid. Beyond sex though, to my mind, is the closing moment when mother and daughter strip off in the surf and hug each other tight.

Visually striking, being set in the new towns with their futuristic architecture that were built in the 1930s on the drained Pontine marshes, with many shots having a painterly composition that uses shape, colour and light to evoke moods. One example of many is a night scene when Eugenia and Piera on foot are chased and surrounded by a group of young men in cars who threaten gang rape. The main light comes from the headlamps, which become sinister emblems of violence and dominance, exuding not benign natural light but harsh artificial light. Eugenia wrong-foots the aggressors by smashing the pairs of headlamps one after another, symbolically emasculating her attackers.

Tremendous acting from the three principals, even though the two women had to be dubbed. Mastroianni is wonderful as the caring husband who gradually becomes unhinged. Huppert has the gifts to reveal the inner desperation and determination that Piera shares with her favourite dramatic rôle. And Schygulla deserved more than her Cannes award for her courageous performance as an impossible woman, appearing like a cheap tart initially but in the end a pale wraith with no make-up under cropped hair reminiscent of Joan of Arc.

Recommended to all who can appreciate a tale told from the women's point of view, where the real story is below surface actions and words in the complex web of emotions.
Dondallon

Dondallon

How to appraise this drama? Very difficult task, the plot does not follow any logic, the family is irrational, the father is a man always busy and letting his crazy wife to do with her body whatever she wants, her girl seems to be more rational but at the end she also became as mad as her mother, her incestuous relationships with father and mother were evident, she was sometimes lesbian and sometimes the opposite. She even competed with his mother in sex. What was the objective of Marco Ferreri with this film? I do not know, the film finished and I was as empty as at the very beginning. Just a waste.
Hunaya

Hunaya

Piera's story is that of a young girl whose sexual awakening is not only tolerated but actively encouraged by her parents, with whom she seems to have some kind of an incestuous relationship. The disturbing subject matter is not what is wrong with this film, though. This is a film with loose scenes, no discernible plot, secondary characters that appear and disappear at random, nonsensical dialogue... Hey, if you want to challenge our morals by showing mother and daughter kissing naked on the beach that's fine, but try to do it in a way that is watchable. I will never forgive myself for not following my impulse of leaving after 15 minutes.